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News Feature - Oscar Fallout
By Kyle Braun
Tuesday, March 7, 2006
The 78th Annual Academy Awards wrapped up Sunday night, and amidst all the glamour and fanfare, all the comedy and the montages, all the successful and the hopeful, the awards were given out in style. Some of the awards were justified, some were anybody's guess, and some shocked the entertainment industry.
George Clooney's win for Best Supporting Actor (one
of the three awards he was nominated for), the first
award of the evening, put the writing on the wall, which
he spelled out when his acceptance speech started out
as "All right, so I'm not winning for Director". Clooney
was gracious in his acceptance, and started the night
out on the right foot. The rest of the night flowed
smoothly under the hilarious and punctuated comedy of
host Jon Stewart.
As
the night went on, the "anybody's guess" categories
delivered only mild surprise with their winners: Best
Supporting Actress went to Rachel Weisz for The Constant
Gardener, and Best Actress was Reese Witherspoon
in Walk The Line. For the men, Capote's
Philip Seymour Hoffman took home the honors of Best
Actor. Best Director went to, no surprise, Ang Lee for
his work on Brokeback Mountain. And, of course,
Best Picture went to Brokeba…Crash?
That's right. Crash. It came as a wild surprise
to everyone, including the cast members of the movie.
And, if you've seen both, you could probably go either
way. Fans may have been going crazy for the gay cowboy
movie, but critics were raving about Paul Haggis' Crash
from the minute it made it to screen. The big problem
is that fans of Brokeback Mountain don't like
the fact they lost, and have been crying out "homophobia"
to everyone that will listen. People claim that the
Academy isn't progressive enough to accept the sensual,
yet overtly homosexual, content offered up by Brokeback.
The
sad part about all of this isn't that one movie won
while many thought another movie should have won. It
comes down to the mentality of the attacks on Crash
from the supporters of Brokeback Mountain. During
the 2004 Presidential campaign, President Bush used
to say you are either for the war or against the troops,
and there's no middle ground. As Roger
Ebert says on his website, "The nature of the
attacks on Crash by the supporters of Brokeback Mountain
seem to proceed from the other position: "Brokeback"
is better not only because of its artistry but because
of its subject matter, and those who disagree hate homosexuals".
Perhaps the merits of the movie Crash weren't
adequately discussed among these circles of Hollywood.
The Canadian director that brought a fresh look to racism
on the streets of Los Angeles and in its police force,
showing in a cinematically astounding style what we
don't want to see. No one is taking away from Brokeback
Mountain as a film, and, in fact, it won Best Adapted
Screenplay over the likes of Capote, The Constant
Gardener, A History of Violence and Munich.
Maybe the Academy does have to look at how they judge
films. Maybe they have to reconsider how they nominate
these films, since box office successes like King
Kong, Batman Begins and Sin City didn't
make the cut. But, as Indiantelevision.com
points out, "only 38.8 million people watch(ed)
the show. Except for 2003 when 33 million viewers tuned
in to see Chicago taking the best-picture award -- the
Oscars hadn't dipped below 40 million viewers since
1987". So, perhaps the biggest problem facing the
Academy isn't which movie wins Best Picture. Maybe no
one cares.
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