Honoring Michael Jackson in 3-D with Grammy Producer Ken Ehrlich
by Troy Rogers

Although the world is still getting over the sudden death of Michael Jackson, the 52nd Annual Grammy Awards is paying tribute to the King of Pop in creative 3-D Grammy manner on Sunday, January 31 at 8pm with the Grammy Lifetime Achievement Award, which will be received by the children of Michael Jackson.

With the help of Celine Dion, Usher, Smokey Robinson, Carrie Underwood and Jennifer Hudson, the 3-D Grammy tribute to Michael Jackson for the Lifetime Achievement Award will feature the environmentally compassionate and animal friendly "Earth Song", the third single from the Michael Jackson album, HIStory. In the special video for "Earth Song", which centers on the childlike wonder of Jackson and his love for animals, a young girl in a beautiful forest goes to sleep and wakes up in a land where the beauty has been ravaged and needlessly gone. Throughout his career, Michael Jackson was a fourteen-time Grammy winner, a three time Grammy Hall of Fame inductee, and now receives recognition for an amazing lifetime of many, many record breaking achievements.

Ahead of the 52nd Annual Grammy Awards, we caught up with Grammy Executive Producer, Ken Ehrlich, to learn more about the secrets behind the Michael Jackson tribute in 3-D, whether viewers at home will notice a difference, whether Michael Jackson was on tap to perform at this year's Grammy ceremony, and what planned project Ken Ehrlich had on the go with Jackson for the future.

THE DEADBOLT: You've mentioned that [the Michael Jackson Tribute] will be in 3-D for "Earth Song" and there are other effects of a plane and ghosts and so on.

KEN EHRLICH: Yeah, there are, but we've limited ourselves to this. There were a number of 3-D effects that were created for the tour. This is the one that we chose to do.

THE DEADBOLT: For people that don't have 3-D glasses, will the show look any different?

EHRLICH: Not really. If you can imagine - and it gets a little technical here - when you watch a music performance on television, or any show for that matter, a film show, when you're in medium shots and close-ups, because of the depth of field, what's behind it goes to soft focus anyway. All we're doing is, if anything, it's probably emphasizing that a little more because, by definition, 3-D depends upon a double image so that the glasses separate the red and green.

So if you're at home and you're watching this without [glasses] on wide shots, you won't really see it because basically the image is far enough away that you can't really see the separation. When we're on close-ups, basically on close-ups of people singing, it would be soft focus anyway. There are a couple of sequences in this where we're going to full imagery and in those sequences the image will probably be a little soft for people watching at home without the glasses.

THE DEADBOLT: Are there any plans to incorporate this technology into future broadcasts of the Grammys?

EHRLICH: I would love to think that at some point we become the first awards show to broadcast the show in 3-D, but that depends on how many millions and millions of 3-D sets. We know CBS this year was all about 3-D, but we're probably five years or more away from where there are enough sets. Or maybe we do it on two tiers. We would love to.

THE DEADBOLT: You met with Michael the day before his death and I wanted to know if it was to discuss his performance at the Grammys? Was he onboard to perform this year?

EHRLICH: Well, it wasn't about that but he certainly was. I mean, what he had told me last January, and actually in December of last year when we talked about it, "Not this year, Ken. But next year we'll do it." But the meeting was actually another project.

THE DEADBOLT: Can you talk about what that was?

EHRLICH: Yeah. We had been talking about doing a Halloween special and he loved the idea of it and actually wanted to do it. That meeting, I had basically brought him some creative that we had been talking about. He loved it and basically signed off on it and said, "Let's do it."

-- Troy Rogers

 

 

 

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