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Helen Mirren and Ben Affleck Winners
By Scott Ferguson
Monday, September 11, 2006
What a difference a role can make. Ben Affleck, long the butt of
jokes in a post-Gigli world may be on the verge of a creative and
critical comeback with his stellar performance in Hollywoodland,
which just earned him the first of what could be several awards (and
not the Razzies that the actor may be used to receiving). In the film,
Affleck plays George Reeves, another actor used and abused by the
Hollywood system and the role has started generating Oscar buzz for the actor,
a sound which became deafening this week when Affleck won the Best
Actor title at The Venice Film Festival. Affleck was joined by quite an
impressive caliber of actor, Helen Mirren, who took home the Best Actress
award for another real-life character, her turn as Elizabeth II in
The Queen (ironically, Helen Mirren just won the Emmy award for
playing Elizabeth I in the HBO mini-series of the same name). The
Queen, by legendary director Stephen Frears, has received almost
universal acclaim and is about Queen Elizabeth's reaction the death of Princess
Diana. Many Oscar pundits are already claiming that the Best Actress
Academy Award is Helen Mirren's to lose.
The coveted Golden Lion award at The Venice Film Festival,
the prize for best picture, went to a shocker, China's
Still Life, a film that most critics hadn't even
seen, as it was a last minute entry in the competition,
and the ones who had weren't exactly universal in their
praise. Catherine Deneuve, head of jury voting, commented
on the win for Still Life to Reuters,
"We were told there would be a surprise film at the
end of this festival, and we didn't have a lot of discussion.
The beauty of the cinematography and the quality of
the story, without getting political, the characters,
we were very touched and we were moved. We know it's
a very special film."
Still Life, by director Jia Zhang-ke, is about
the old village of Fengjie, a victim of China's Three
Gorges Dam Project and the people who go back there
to see what they left behind. In China, more than 1.3
million people have been relocated to make way for a
damn and the film details the bleak prospects in their
new lives in other parts of China.
Still Life wasn't the only film to get a major
push from The Venice Film Festival as the aforementioned
The Queen and Hollywoodland received high
critical acclaim, as did Emilio Estevez's highly antiquated
look at the life and death of Bobby Kennedy, Bobby.
Other awards at the festival went to Spike Lee's When
the Levees Broke: A Requiem in Four Acts (which,
sadly, won't be eligible for the Academy Award for documentary,
as it aired on HBO, not in theaters stateside). The
Best Director equivalent - the Silver Lion - went to
Alain Resnais for Private Fears in Public Places.
Resnais had won the award before for the classic Last
Year at Marienbad, thirty-four years ago. Resnais' newest
film is based on Alan Ayckbourn's play of the same name
and tells six overlapping stories. The jury prize at
Venice went to Daratt, an African film about
a man's journey for revenge in Chad. Nuovomondo
won the Silver Lion for revelation. The film is about
a Sicilian family moving to America in the early '90s.
[Sources: E Online, Reuters]
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